True Love

Cheryl is giving Victor his regular trim.

“How’s your week been?”

“Same old, same old”, he lies.

The lost love of his life has just arrived at the home, but does not remember him. Dementia.

“There, Victor, nicely presentable.”

Tidied, he sits staring at the garden, untended like his love, holding her hand.  Once soft and supple, her thin skin maps a long life with another.

Rehearsing passion never declared he squeezes and mouths “I love you, Jenny”, but it escapes.

She squeezes back, staring now at him.

“Are you Eric?”

Her slight smile is worth the deceit.

“Yes dear”.

Pandora’s Box

She was walking the streets, not knowing where to go.   Leaving had been inevitable, but Pamela did not go to bed thinking “tomorrow’s the day”.  Her decision and action were sudden, as hurried as the packing of her case. 

She strode steadily along the redbrick terraces of Macklington, the security of her home on Warmsley Street fading with every echoing step.  Unsure of her immediate future, nevertheless she reached the first corner without a second thought, or even a notion to look back.  She turned it; not going but gone.

Mother would make a show of looking for her, for a week or two.  She would tell the neighbours how she is worried: “I know she’s 24 but Pammy’s, you know, different.  She’ll say “I’m only glad Father’s not here to see it.  He did worry so”.  The truth is that Mother would not manage without the lifelong anxiety of Pamela to distract her.  In time the relief that she no longer has to worry will be replaced by brittle silence, of having nothing much to say and having no-one to say it to.

The worry began when she was barely eight: an argument about a child’s ticket in the cinema.  “She’s never eight,” the manager had said, “Look at the size of her!  Fifteen if she’s a day.”  Pamela was extraordinarily tall, even then, but her humiliated parents were escorted out to the foyer and obliged to pay the extra.  From that day they paid adult prices for everything.  Avoiding embarrassment about Pamela became a way of life. 

When she started secondary school the novelty of being different was a distinct advantage for Pamela.  Other children wanted to be her friend and she was first to be picked for sports, especially netball at which she naturally excelled.  Girl friends came home for tea, Pamela was invited to birthday parties, and the other parents spoke to them in the shops.  But as she and her contemporaries arrived at the threshold of womanhood she found herself the target of name calling.  “Lanky”, “Stilts”, and “Beanpole” were the kinder epithets.  Being so different brought a loneliness  she learned to bear, but it also added grit to the oyster of her character.

By the time she really was 15 Pamela was 6’7” and her growth showed no sign of slowing.  Mother took her to the doctor but she had no disease he could treat.  All her limbs and features were correctly proportioned, and in fact she was rather pretty.  There was just a lot of her.  Had her height been causing Pamela psychological trouble, he said, he might have prescribed hormone therapy but she seemed as well adjusted as any teenager is.  When they returned home her parents sat quietly in the kitchen, nursing teacups, crestfallen.  She realised then that they were disappointed for themselves, not for her.

Then when she was 18, and nudging 7’0”, Pamela left school.  Pottlemore’s Circus came to Macklington, as they did every June, and against her parents’ reservations Pamela took a job with them, touring nearby towns.  She mucked out the animal stalls, sold tickets and hot-dogs, generally helped the performers, and watched them from the ringside.  In Pottlemore’s she found another family, one where differentness and non-conformity was celebrated, embraced and valued.  She also made money, friends, and discovered an unsuspected talent: she had a rare gift for ventriloquism.  The summer ended and the circus moved on.  For the rest of that year Pamela filled shelves in her local supermarket.  Sometimes she relieved boredom by juggling with fruit, or entertaining the customers by throwing her voice into their purchases.  Every Witsun afterwards, though, she hung up her blue tabard and waited at the corner of the recreation ground.  When the first of Pottlemore’s wagons pulled in off the by-pass she blossomed again.

In the April of the fourth year Cyril Pottlemore himself called at Warmsley Street.  He stood on the black lacquered and polished step, wearing his trademark yellow checked suit and red bowler hat.  He had a proposition.  Of course, at 21, Pamela needed no permission but Mr Pottlemore was ‘old school’ and wanted to reassure her parents that his offer was on the level or, as he put it, “all bright and tiddly-push like”.  The gist was that the previous winter he had been touring somewhere called the Cont-e-nont, looking for new acts and had found Anton Dubcek, a 2’10” midget.  Anton had been part of a clown troupe, but had lost a leg in a human cannonball accident.  With Pamela now 7’6”, and still rising, he’d had the idea of teaming them up in a unique ventriloquism act.  Pamela would be the ‘vent’ and Anton would be the dummy.

“Anton might look like a little kid, ‘specially next to you, but he’s older than you’d think and dead keen to try something new.  I thought, only if you’re agreeable like, when we’re ready to get going you could join us at Easter and work up the act with Anton.  Of course, for stage purposes only you understand, we’d need to give you another name, something more dramatic.  I thought Pandora.  What do you say?” 

She said yes, but fate struck first.  Easter was early that year and a late chill had left the training ground slippery.  Anton, unsteady on his crutches, had slipped on one of the rides and crushed his other leg.  Generous Pottlemore, had kept him on: “Pottlemore looks after his own,” he’d said “there’ll always be something for you here.”  But by the time Pamela joined them Anton was being pushed around the site in a wheelbarrow, broken in heart as well as body, facing a life of being lifted onto the stool behind the cash desk on show days, or staring bleakly out of the caravan window when they were closed.  Now, with Pamela’s arrival, Pottlemore was to change all that. 

To the old showman Anton’s disability just made him even more unique, and there was no malice or heartlessness about it.  Of course he saw opportunity for himself, but it was an also an opportunity for Anton to earn his keep, no favours asked or given, and a chance to be a performer again for as long as his health allowed.

He laid out his vision: Anton speaking from within Pandora’s star-studded box and then, without his proper false legs on, being taken out to perch, floppy limbed on her lap.  To all appearances he would be a traditional ventriloquist’s dummy and, with heavy makeup and clever lighting, nobody would be able to tell he was not a painted wooden doll. He said that with Anton’s clown’s training and comic timing, Pamela’s flowering talent as a ventriloquist, and their extraordinary size difference, they would be a sensation.  Within a fortnight Pandora was carrying Anton around the ring, him holding vented conversations with mesmerized children, or singing with the orchestra. “The Amazing Pandora and Anton” were indeed sensational and, by the time the circus arrived in Macklington again, the show was selling out every night.

Such was their success that Pamela stayed until the end of the season and the act continued to develop.  First disguising him with the help of a mask, and later a pair of papier maché mittens, Pandora began to walk among the ringside seats, actually handing Anton to patrons to hold while she threw her voice from him.  Their performance, like the magic that deceives even close up, was electrifying.  By the end of the season they, and Pottlemore, were excitedly discussing taking the act  still further.  With a full upper body wooden cast for Anton, he would be a manikin to Pandora’s puppeteer and, at the climax of the act, she would take a pair of theatrical golden shears, cut the strings and set Anton free to dance.  There was even talk of a TV appearance.

It had been a long season and rather than spend the winter on a travellers’ site, Pamela returned to Warmsley Street and took the exhausted Anton with her.  But when they arrived Pamela discovered her father was seriously ill; “Pneumo something or other” her mother said “coal dust, his lungs are gone, poor bugger”.  After tea she made up a camp bed for Anton in the parlour.  “I hope that’s all right, I mean you’re not, you know, you and him, you’re not, well, not………together like.”

Pamela did not laugh at her mother’s inability to speak the words, or the thought itself, though well she might have.  By any measure, not least of stature, it was a preposterous notion, and yet these past months of enforced closeness, of sharing triumph and pain with Anton, had produced a bond as close as that of love, if not love itself.  They needed each other to be whole.

The winter passed with Pamela and Anton planning the coming season but the pall cast by her father’s decline began to suck the life out of them too.  They managed to laugh a few times, and even to raise a smile on her mother’s tired face, but in January her father died.  After the funeral the three of them sat, listening to the sound of the mantel clock ticking, and after a week of that Pamela knew she would have to leave soon or suffocate. 

It was Anton who decided it.  Pamela woke cold in the chilled air, her pink and green candlewick bedspread sliding from her bed.  She leaned over to drag it back and saw, to her shock, that it hadn’t fallen but had been pulled: by Anton.  He was cold too.  Very.  For some reason he had dragged himself up from the parlour, the stairs finally proving too much for his damaged and overtaxed body.

That was the moment.  Pamela dressed, took her case from the top of the wardrobe and threw in her clothes.  It was Pamela that kissed Anton gently on the forehead, folded him neatly and placed him on top of her stage costume, but it was Pandora who snapped the locks and carried the case quietly downstairs before stepping out into the dawn.  So she walked, not knowing where to go.  But she knew what to do.  She knew where Pottlemore’s would be at Easter, and by then she would have found a discreet taxidermist.

Thank you Lord (gospel)

Verse 1

Thank you Lord for a helping hand

Even tho’ I didn’t understand

 It was you who bound my wounds

 I felt peace in the calm I found

(Chorus)

I Thank you Lord; Thank, thank you Lord

WE Thank you Lord; Thank, thank you Lord

Verse 2

You lifted me when I was down

 Bore me up when I thought I would drown

Tho’ I would kneel you helped me stand

 Thank you Lord for your helping hand

Verse 3

 Turned inside my deepest sorrow

 Couldn’t see a sunny tomorrow

 But for you I would be lost

 my wounded pride the pointless cost

(Chorus)

Thank you Lord; Thank, thank you Lord

I thank you Lord; Thank, thank you Lord

 Verse 4               

Now I know the sweet surrender

 When I gave my stubborn will away

 Your care so safe and tender

 Helps me thro’ another hard day

Verse 5

Here I am in the promised land

By my side, I know you stand

 It is you who heals my wounds

 Your Grace is the calm I have found

(Everybody)

Praise you Lord;

Thank, Thank you Lord

Love you Lord,

Thank, Thank you Lord

Praise the Lord.

Thank you Lord

(Repeats as required)

© Andrew Gold October 2005

Somewhere on the Road

You remind me of a boy I knew

and a summer long when my heart just flew

I thought he was strong he thought I was quirky

when we were living in Albuquerque

but not quite ready to move on.

The road is long from there to here

memory’s hazy from the grass and beer

but it seems to me that we’ve met before

somewhere on the road back then.

Yeh, back then I had the world in my hand

living on the banks of the Rio Grande

my life was slow and my hair was long

we had nothing to do but sing our song

until we felt ready to move on.

The road is long from there to here

memory’s hazy from the grass and beer

are you sure that our tracks have never crossed over

somewhere on the road from back then.

But he went first up to Santa Fe

so I headed west for the lights of L.A.

we kept in touch for a while by letter

then the next guy or place began to look better

and I told myself to move on.

The road is long from there to here

my memory’s hazy from the grass and beer

but I’m sure I’ve seen that pretty smile of yours

somewhere on the roadside back there.

There’ve been many more places and many more fellas

I met some in the street and some in bordellos

But none came close to the flame we fanned

or the songs we sang by the Rio Grande

before he decided to move on.

You remind me of a boy I knew

and that summer long when our hearts just flew

he was strong and I was quirky

I thought we were happy in Albuquerque

but he was ready to move on.

And I remind me of a girl I knew

through this dirty mirror and the light so blue

in back of a car on Franklin and Vine

now I’ve got a bellyfull of cheap red wine

but I’m still not ready to move on,

No sir, still not ready to move on.

The road’s so long from there to here

my eyes are streaked and I smell of fear

but I’m sure I’ve seen your handsome face

somewhere on the road back there

somewhere on the road back there.

I’m lost somewhere on the road back there.

© Andrew Gold 16 August 2003

PANdemIC

Father Minelli wanted to believe it was coincidence: sickness was normal amongst refugees.  He had said as much, to encourage his staff, but a gnawing feeling in his gut betrayed his true thoughts. He was looking at the sixth case that morning: patients with apparently minor conditions collapsing under the chaos of unknown infection. He knew, with absolute certainty, there would be more tomorrow and still more the day after.  Many more.

If it were possible he would have shut the hospital already, but there was not another within 150 kilometres.  Desperate people already walked days to get the meagre medical service he, and the pitifully few sisters, provided in their faded blue and white tents.  How could he look into their hopeful faces and turn them away?  And if he did, the word would spread, the infection would spread. Panic would spread. It was better they brought their sickness to him and, if God willed it, died there.

A week later he woke to a different sound: the slap of untended canvas mimicked by the wretched flap of scavenging birds.  Not another sound breached the serenity of the chill dawn: no children crying, no murmuring. 

Then, as he sat up, he coughed. Feeling his forehead, he sighed and lay down again to wait.

“Snakes and Ladders” – a fictional story of predatory behaviour

‘Snakes and Ladders’

 “What goes around comes around”.  It’s a common enough aphorism, but God knows there is precious little evidence for a perfect karmic system of justice.  It has served me well enough though, helping me suck up the slights of life in the belief that the perpetrator, the cause of my angst, would one day ‘get’ his, or hers.  Taking the high ground, I used to call it.  It kept me out of a few confrontations but when it failed, bloodied and bruised, whether literally or metaphorically, I took comfort from belief in a future of righteous redress.  Until, that is, I met Nadine.

Nadine must have been born manipulative because even at 19, when we first met, she was already the finished article.  She had all the physical and intellectual assets one could want in a woman, except one: she had no scruples. She could make you feel you were in the wrong, and even apologise for getting in her way, as she put the boot in.  Fortunately for me our paths only crossed tangentially, but from time to time we had mutual friends and colleagues.  I heard from them about the damage she did but never that she’d been called to account.

I first came across her at a flat warming.  Three first year student friends of mine, Niki, Simon and Ella, were sharing a sunny first floor in Clapham.  Nadine came along to the party with a mutual friend of theirs.  Niki and Simon were a loose item, rather more loose to Simon than Niki it transpired when Nadine made a blatant play for him.  She was taller, more athletic, and cleverer than Niki and it didn’t take her long to ease the heartbroken girl out of the flat and take over her room.  Shortly after that she dumped Simon over some fabricated dalliance between him and Ella and, in three months from start to finish, she had the flat to herself.

By these and similar methods she clawed, inveigled or dissected, her way to an underserved first class degree (leaving her tutor’s marriage in tatters in the process) and then an MBA.  By the time she was ready for the snakes and ladders of business she’d ‘hopscotched’ her way across London from flat to maisonette to house, and along the way had accumulated a rather nice Alpha Romeo Spyder, a time share in Gleneagles, a pony (stabled) and more jewellery than could be decently worn in polite company.

The infuriating thing was that Nadine didn’t need to be this way; she was actually über competent, at everything.  She never climbed over someone into a qualification, a job, or a bed that she didn’t then occupy with more success and ease than the rightful incumbent.   Her reasoning seemed to be that there was no point in wasting everyone’s time, especially hers, proving that she was better at, or more deserving of, something someone else already had.  She just took it, used it, and then abandoned it when the next opportunity came her way, leaving someone else to pick up the pieces.

We were 5 years out of university before I saw her again.  I was with my, then, girlfriend Elaine at the British Film Institute; a season of Balkan avant-garde movies.  When the lights came up, there she was in the seat in front.  I tapped her on the shoulder.  We walked out to the foyer together, she chatting superficially in the way you do when you’re struggling to remember the name of someone you’ve met out of context.  She introduced us to her companion Boris, an under-something in the Croatian embassy, before we went our separate ways.  Later I heard she had a flat in Korcula and Boris had been demoted and transferred to a consulate in Bolivia.

We met a couple more times, just passing through the same airport departure lounge, or a reception somewhere, but the next occasion after that was different.  I was diligently, if tediously, working my way up the ladder in a private bank.  I even had a chic office on a favoured 35th floor corner in Canary Wharf.  Well, to be more accurate, it was my boss Dave that had the corner office, I was next door.  Anyway, one hot May I was sitting with my door open, for the illusion of cooler air, and looked up to see Nadine standing there, being introduced by Dave as his new P.A.  She was casually dressed in a tailored silk blouse and slacks, but every inch the powerful corporate animal.  There was just the merest flicker of recognition from her before she turned away and I knew right then that, whichever way the dice fell, poor Dave was about to land on a succession of squares with snake heads and slide right off the game board.

In a way Nadine counted me as a friend, well at least not an enemy, because I’d never had anything she wanted, nor stood between her and her next objective.  Nevertheless it was prudent self-preservation that stopped me from trying to warn Dave.  Instead I watched her, in the way a fascinated child watches a python in the zoo, as she undulated her way into position for her next live meal.

Her first coil was simple and subtle: a presentation to a new client went unaccountably wrong.  A brochure was bound with some pages upside down, a name tag was misspelled, some annual account figures didn’t quite add up.  The outsourced printers took most of the blame, but the CEO noticed the beads of sweat break out on Dave’s upper lip, and the adroit way that Nadine gathered up the loose ball and ran with it.  She knew exactly what to say, and how to say it in such a way as to leave the unmistakable impression of a man out of his depth being rescued by a loyal and undervalued assistant.

The second coil wound on quickly afterwards, at a Wimbledon-week garden party for some minor-royal Saudi client.  Of course there was no alcohol on offer with the post- match strawberries, but ever-attentive Nadine saw to it that, as he networked the clients, Dave’s glass of fruit punch was always topped up, but with a little hidden extra.  When he was found face down in the shrubbery Nadine was tending him wearing a Royal teal-blue hijab she had secreted in her handbag.  The contrast between her chaste modesty and her disarrayed drunken boss ensured that control of the account passed to her, and she was being tipped to head up the Dammam office the following year.

The only time she came even close to being exposed was when Ranjit, the night security guard, found her going through Dave’s desk and laptop.  She was copying and deleting files, leaving a trail of incompetence for her coup de grâce.  Ranjit was no match for Nadine and easily fell victim to her blushing embarrassment; he was “paid in kind”, then blackmailed, for his silence.  And so it went on; little by little the life, and job, was squeezed out of Dave.

About 6 months later I happened to be sharing the lift with Nadine, by then my boss, when it shuddered to a stop between floors.  Ordinarily being trapped in a lift with a more-than attractive predatory female would be the stuff of many a male fantasy, but the barely nascent thought was stifled by the realisation that, at last, what had gone around was about to come around in spades: Nadine was obviously very scared, and she began to unravel.  This time it was her doing the sweating, her with a look of non-comprehension on her face, and her out of control as she crumpled into a corner hugging her knees and gabbling.  It wasn’t hard to get her to talk about herself at any time so it only took gentle prompting, purely as a way of calming her nerves you understand, to get her to review her successful career and catalogue her victories and victims.  By the time we got to the juicy details of poor Dave’s fall she was standing again, head back in full flow, assured and confident as ever.

After about an hour power to the lift was restored, and downward travel resumed.  Nadine checked herself over in the mirrored wall of the lift car, adjusted her neck line, smoothed down her skirt, and flicked her hair before turning and thanking me for helping her keep calm. At the 8th floor, where she was going to a wine and canapés ‘do’ for future vice-presidents, she gave me a peck on the cheek, at the same time digging her finger nails ever-so gently into my hand to tell me, as if I needed telling, that she intended her ‘performance’ to be our little secret.

Me?  I was on my way home to Elaine, but I got out of the lift as well.  I thought that walking the last few floors would give me time to think, about what I should do and how it might play out, and I was right.  By the time I had reached the lobby, I knew.  I ran the last flights to the basement security office and Ranjit, and the recording from the in-lift CCTV camera.  Despite the emergency lighting in the stranded lift, the dim images were perfectly usable, and the sound crystal clear.

Don’t you just love ‘YouTube’?

 

© Andrew Gold 2015

Days of Beige

D’Arcy and Sybil approach the promenade café, as they do once a week, for a late breakfast.
They are dressed in their Saturday clothes. D’Arcy is wearing needlepoint corduroy trousers and a safari jacket. Both are beige, and baggy on his thin frame. A narrow-striped shirt, paisley cravat, and suede shoes complete his ensemble. Light on his feet for an octogenarian, D’Arcy springs to the door with a flourish. He pulls it open for Sybil and salutes smartly. Smiling coyly she pulls at his arm and says what she always does.  “Oh D’Arcy, behave.”
Mr Singh, the café owner, comes round his counter wiping his hands on the teacloth which always hangs from his shoulder and greets them.
“Good morning Mr D’Arcy. How are you today? Mrs D’Arcy. You look lovely as always. Is that a new dress? Very beautiful.”
He knows it is not a new dress. It is the same pale blue dress she wore last week, and the week before, the one she got at Sue Ryder in the High Street at Easter. Her black patent court shoes match the small bag hanging on a chain, loosely, from her shoulder.
Mr Singh ushers them to their table, the one by the window, the one with the white plastic ‘Reserved’ sign which he deftly removes.
“Your table”, he says, as he flicks the seats with his cloth. “I trust this is satisfactory?” He knows it is satisfactory. It is always the only table vacant at 11 on a summer Saturday morning in his busy establishment. He enjoys the game they play. He is their Majordomo, they are his valued guests in a grand hotel dining room somewhere.
D’Arcy pulls a chair back for Sybil to sit and Mr Singh does the same for him.
“And what can I get for you today, something special perhaps?” He knows the answer.
“I think we’ll have two of your toasted teacakes, some thin cut marmalade and a pot of your finest Darjeeling tea, if you please Mr Singh”.
As D’Arcy and Sybil settle into contemplation of the week past, Mr Singh turns towards the kitchen. He is stopped in his tracks by the café door being wrenched open and two more customers come in. It is Shane and Trisha. He thinks “Oh God, not today, please” but feels his skin go tight around his jaw as he must say something else, with a smile. “I’m sorry, but we are full just now, perhaps you can come back later, yes?”
Trisha half turns to leave but Shane points and moves towards the two empty seats at D’Arcy and Sybil’s table.
“Nah, this’ll do, won’t it Trish. We don’t mind sharin’, even with wrinklies.” He laughs.
Mr Singh and D’Arcy look at each other. Mr Singh’s eyes plead and say he doesn’t want any trouble. D’Arcy raises a hand to acknowledge his plight and his eyes say they don’t mind sharing.
Shane and Trish sit, placing their mobile ‘phones on the table. Not waiting to be asked Shane orders. “Two mugs of tea, and two bacon and egg rolls, Gunga Din, and make it quick: people to see, places to go.” Mr Singh returns to his kitchen and Shane mocks the gentility of the old couple opposite.
“I say Trish, the tone of this gaff has gone down a bit lately ain’t it. What’s that pong? Old people always whiff a bit, don’t they?” Sybil is wearing her priceless Jean Patou scent, the one from the tiny black bottle she keeps on her dressing table, the one she got in Paris at the end of the war. Trish giggles, but looks at Sybil’s kindly calm face and feels a wriggle somewhere inside. She is uncomfortable but the goading is cut short when the orders come. Her ‘phone pings. She picks it up, looks at the screen, snorts “s’only Chantelle” and puts it down again.
Sybil and D’Arcy unwrap their butter patties delicately, carefully scraping each paper clean before folding them precisely. They quarter their teacakes, and cut them again into neat triangles. The treat lasts longer that way. They are used to making things last.
Shane and Trish grab at their rolls, but then look and grin at each other. In grotesque parody of the gentility across the table, they cut their rolls into pieces. Then, mouth open, they noisily chew a quarter at a time, the runny egg dribbling down their chins and over their fingers.
D’Arcy and Sybil continue to talk quietly about the week gone and the day to come.
“It turned out nice after all, didn’t it D’Arce? I thought the rain was in for the day, but it turned out nice.”
“Yes. Nice. I thought it might, something about the clouds looked, you know…promising.”
“Yes. Promising. You’re usually right about the weather, aren’t you? We could walk down to the bowling club later, if your legs are alright, D’Arce.”
“Yes, good idea. Is your teacake nice?” Mine’s lovely, I think they’re always good in here.”
Shane’s ‘phone pings. He picks it up, looks at it, guffaws “Facebook” then resumes his goading.
“I say Patricia, if you’re up to it, we could go dahn the skate park. By the way, these rolls are quite superb ain’t they? The egg works with the crispy bacon so well, don’t it? Oi! Gunga Din, my compliments to the chef.” Then he turns to D’arcy.
“What do you think D’Arce old chap. ‘Ere, ‘ave a try.”
And with that he lifts his plate and slides a half-eaten part of his roll onto D’Arcy’s teacake. Egg oozes into marmalade.
D’Arcy stares at his plate, and then at Shane. Trish feels the wriggle again, but smirks. D’Arcy looks back at his plate and then at Sybil. “Oh dear,” she says “that’s not nice is it. Not called for at all”.
“No, not called for Sybil. Perhaps we should go, we don’t want to cause any trouble?”
Shane, sensing his advantage, presses on.
“What about Sybil ‘ere, she looks like she could do with a bit of protein. ‘Ere you go luv.”
And he scrapes part of Trish’s roll onto Sybil’s plate.
D’Arcy and Sybil look at each other again, resigned, and Sybil picks up her bag and makes to leave but Shane in, mock regret, implores them to stay.
“Oh, don’t go. I’m sorry. Let me get you another. Oi, Gunga Din, Mr and Mrs D’Arce ‘ere ‘ave ‘ad an accident. Another two teacakes if you please.”
Sybil sits again, her hand still on her bag, and looks again at her husband.
“It’s no use D’Arce. We’ll have to do something.”
“I suppose so, Sybil.”
Shane feigns alarm “Oooh, careful Trish. We’ve got ‘em all annoyed now, they might….”
But, before Shane can finish his sentence, D’Arcy and Sybil each pick up a fork and pin his denim jacket cuffs to the table. Trish’s scream chokes as Sybil wraps the chain of her handbag round her neck and pulls her, face first, into the remains of her egg roll. While Sybil holds Trish down, D’Arcy reaches for Shane’s mobile phone and places it in the centre of the table in front of the immobilized youth.
Looking directly into Shane’s eyes, he brings the heel of his hand down on the handle of a knife which spins into the air. In one flowing movement he catches it again and drives the buttery blade through the ‘phone’s screen. Applause breaks out in the café.
D’Arcy and Sybil wipe their hands on Shane’s hair and walk to the door.
“Well Sybil, to be honest I wasn’t sure we could still do that, were you?”
Oh yes, D’Arce. I know we’re getting on a bit but S.O.E training was very good. Those were the days. So, bowling then?”

“Thunderball”

 

Alice slips on her shoes, quietly opens the door, pulls up a frayed coat collar against the rain and walks unsteadily away. Turning the corner she stops, leans against a wall to breathe and listen, but there is only the echo of a barking dog and her own footfall moving on. She does not know where to, but it will not be back: her bloodied eye tells her that. It is not the first time he has hit her, this time for forgetting his lottery ticket. His ticket. Her ticket, and five million pounds, will take her far, far away.

 

100 words

“Judge not…”

 

Bing bong.
Like Wyndham’s Chrysalids, they are crisp, clean, cloned and innocent.
Wanly smiling she says “Do you think about the future at all?”
It must be cold dispiriting work, winter door-stepping the unsaveable, so I say “At my age I think more about the past”.
They laugh, and put at ease come in for debate, tea and homemade scones.
“These are lovely,” he says, “really unusual flavour. May I?”
“Of course,” I say, “help yourselves. Take some home if you like.”
Leaving, already giggly, she hands me leaflets.
Mulling Matthew 7, I wonder what they’ll think about their futures.

100 words

“Distance Past”

 

His heart recognised her immediately; after 30 years it still skipped. She did not see him in the cafe; she was stirring soup, and his memories. His eyes traced the olive soft skin of her arm, rising and falling, the little birthmark that still peeked from her sleeve.
He had never understood how the space between them could ache so. Now it ached more than ever but she, still wearing a ring, and he one of his own, was still untouchable.
So holding the thought that, if she knew, she would really love him back, he turned and walked away.

100 words